To view my archive please visit www.rorycarnegie-archive.com
I tell my students that when I LOOK at a photograph, I am SEEKING to understand the person behind the camera. In my presentations I show works by photographers who all have a very identifiable signature, and this has led to some CURIOSITY when it comes to my own work; ‘So Rory, what sort of work do you do?’ The truth is, in my career I have worked in a BROAD RANGE of photographic STYLES and much of the work I have produced sits somewhere between traditional photography and painting.
When I asked the Director of the National Crime Agency why he had chosen me to develop the Modern Slavery campaign, he said that they were looking for someone who had exhibited in the ART WORLD, the commercial photography business and the humanitarian sector.
Throughout my work is the idea of INTERCONNECTEDNESS and an active presence of absent things. By this I mean, that all animals, landscapes and objects should be regarded, analysed and valued with reference to those other ELEMENTS by which they are influenced and made whole.
Central to this idea is that humans are just ANOTHER part of the World. In several of my series I explore how the land and other environments shape us and make us who we are; that is, we are in the land and it is in us. We would not be what we are without the other. This theme has led me into exploring the idea of DECONSTRUCTION; what might be seen as an indivisible whole is in fact a composite of separate parts. As a result I have in many of my series tried to illustrate the different components by conspicuously using multiple LAYERS of images to create the whole and finished image.
John Martin Gallery (London)
020 7499 1314
info@jmlondon.com
www.jmlondon.com
Sarah Wiseman Gallery (Oxford)
01865 515 123
info@wisegal.com
www.wisegal.com
© Rory Carnegie